The practice of body modification in sub-Saharan Africa includes scarification, tattooing, body painting, and piercing. This seminar offers insights into the histories of African body modification from 18th century to the present. The primary goal is to investigate the symbolism of body modification through an examination of its visual vocabulary. We will analyze the interconnectedness of art, body modification, and cultural heritage. We will critically review the inherent value of body modification as a mode of communication within and outside of these societies. We will also explore the appearance of motifs from body modification in the context of architectural design and sculpture.

Textbooks: All readings will be available on Canvas

Intended Audience: The seminar assumes no prior knowledge of African Art. All interested undergraduates are welcome to enroll.

Course Requirements:
Class Attendance (20%)
Class Participation (20%)
Reports (30%)
Readings and Discussions (30%)

Class Format: Two 80-minute seminar meetings

HISTART Concentration Distribution: Sub-Saharan Africa; Modern and Contemporary