The movie Black Panther (2018) appropriated and aptly represented the body modification practice of the Surma and Mursi ethnic groups of sub-Saharan Africa. It is not uncommon to find ethnic societies who have constructed and attached beliefs to the art of body modification. How have these beliefs guided them as a people? How is the practice of body modification expressed in different aspects of their lives? Is there a connection between art and 'ritual' practice for them?

This seminar offers insights into the histories of body modification in sub-Saharan Africa. The primary goal is to provide a broader perspective on the symbolism of body modification through an examination of its practice in ancient Africa. We will analyze the interconnectedness of art, body modification, communication, and cultural heritage. We will also explore the representation of body modification in architecture and sculpture indigenous to ethnic societies, as well as its extension into contemporary art practices and mainstream media.

HISTART Concentration Distribution: Sub-Saharan Africa; Ancient; Modern and Contemporary