Cross listed with AMCULT 433.001
Meets with HISTART 431.001

The embodiment of "Modern Times" was the assembly line and Detroit, dubbed "the capital of the Twentieth Century" played an important symbolic role in the modern imagination. Yet while artists depicted Detroit's industry as an abstract emblem of twentieth century progress—and later of dystopian decline—the city has a complicated labor, racial, and political history that its art, architecture, and urban planning help us to question. This seminar examines how Detroit has been presented in art, and the role that the arts and architecture have played in the city from the 1880's to the present. We will consider both works produced in Detroit that defined a technological future and urban culture for the world and those that have particular local histories, from the sleek factories that heralded modern architecture in America to the artificial past that Henry Ford assembled at Greenfield Village, from the heroic worker figures of Diego Rivera's murals to the controversies surrounding the Joe Louis monument and street art, from "ruin porn" and gentrification to prospects for the future.This year we will devote extra attention to researching Detroit arts during the rise of the Black Power movement, through the 1967 rebellion or riot and into the city's emergence as a majority-Black metropolis.

Estimated cost of materials: not more than $150.

Required texts (also available on reserve) will include Terry Smith, Making the Modern: Industry, Art and Design in America. A preview of this book is available at Google Books: https://books.google.com/books?id=UOF4xgn-vwcC&dq=%22Making+the+Modern%22&source=gbs_navlinks_s
Thomas Sugrue, The Origins of the Urban Crisis
Brian Doucet, Why Detroit Matters